Stills from all four rooms, plus a look behind the scenes at how Pulse gets built and rebuilt in every city it plays.
Chromatic Drift, opening night — the ceiling mid-cycle across all 220 fixturesGuests walking the coved ceiling room — there is no fixed viewing pointThe kinetic mirror ceiling at rest, before doors openMirrors reading the room mid-show, steered by 24 beamforming micsThe Hum's single 30kW beam cutting continuous hazeUnderneath the sprung floor rig, install weekAfterglow's bloom spheres on their forty-minute colour cycleLounge seating in Afterglow, catching the slow bloom-sphere driftRigging week: mounting Chromatic Drift's 220-fixture ceiling arrayPriya Raman testing Resonance's kinetic rig before load-inUnderneath The Hum's sprung floor, install week in LondonOpening night — the queue outside The Cistern
Better in person.
Photos only get you so far — every room is built to be walked through, not viewed from a doorway.
