01Nothing repeats
Every room runs on a generative engine, not a fixed loop. The colour field, the mirror choreography and the ambient score are different every single time the doors open.
Now touring · London
Four rooms.
Four rooms.
One pulse.
An hour of light and sound built to be felt, not watched from the back — a touring installation of four distinct rooms, currently playing inside a decommissioned 1913 reservoir in Peckham, London.
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Manchester◆Berlin◆Amsterdam◆Lisbon◆New York◆Mexico City◆Copenhagen◆Melbourne◆London — Now Playing◆
Anyone can hang a light. We build rooms that move with you.
Pulse is four rooms in one continuous hour — an ambient colour field, a crowd-reactive mirror ceiling, a bass room built to be felt through the floor, and a lounge to come down in. No two visits play the same show twice.
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The roomsWalk through
All experiences
Walk through
all four.
Two hundred and twenty independently addressable fixtures move a single field of colour across a curved 30-metre ceiling, timed to a generative score that never repeats the same way twice.
12–15 min40 capacity
A ceiling of slow-turning kinetic mirrors reads the room's own sound in real time and repaints it back in moving light — every voice becomes part of the instrument.
9–11 min30 capacity
A sprung floor turns sub-bass into physical motion underfoot while a low haze catches a single rotating beam — Pulse's most intense room, and the one with the longest advisory list.
7–8 min50 capacity
A bioluminescent-styled lounge of drifting bloom-lit spheres, built for sitting down, not moving through — the exhale after The Hum.
10–20 min60 capacity
How it feelsThree things
About the studio
Three things
every room shares.
0102Built for bodies, not screens
Sub-bass you feel through a sprung floor, mirrors that react to your own voice, haze that catches light instead of hiding it — Pulse is designed to be stood inside, not photographed from a doorway.
03Honest about intensity
One room uses strobe and real volume; the other three do not. We tell you exactly which is which before you buy a ticket, not after you walk in.
The rare immersive show that trusts silence as much as spectacle.— The Globe and Mail
Press
Full press kit In print.
The Globe and MailThe rare immersive show that trusts silence as much as spectacle2026
Time Out LondonInside The Cistern: how a 1913 reservoir became Pulse's biggest stage yet2026
Time OutPulse's Hum room is the most intense eight minutes in immersive art right now2026
The GuardianFour rooms, four moods: the touring light show that keeps selling out2025
Ready to
feel it?
Tickets move fast on weekends — Wednesday and Thursday evenings are the quietest way to see all four rooms.
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