Wren Castellano
Co-Founder · Creative Director, LightStarted in theatre rigging, spent six years as a lighting associate on arena tours before deciding the crew deserved to design the show, not just hang it.

Halo Field is a light-and-sound studio founded in Manchester in 2016. Pulse, their flagship touring installation, premiered in 2019 and has since played nine cities on three continents.

Wren Castellano spent six years as a lighting associate on arena tours, watching thoughtful design get compressed into a four-minute cue between headline acts. Idris Okafor was scoring documentary features and wondering why nobody built a room around a piece of music instead of the other way around. Pulse is the answer they built together: a show with no headliner, where the room itself is the reason to come.
Ten years later, Halo Field is nineteen people — lighting programmers, audio engineers, a mechanical engineer who keeps the kinetic rig alive on tour, and a production manager who has personally walked every venue Pulse has ever played.
Started in theatre rigging, spent six years as a lighting associate on arena tours before deciding the crew deserved to design the show, not just hang it.
Composer and audio engineer. Scored two documentary features before Pulse; still writes every generative stem himself, note by note, before it goes generative.
Mechanical engineer who left a robotics lab to build kinetic rigs that survive being trucked between nine cities without ever missing a load-in.
The person who has personally walked every venue Pulse has ever played, usually with a tape measure and a fire marshal in tow.
Mayfield Depot. An eleven-week run sold out in a disused Victorian railway depot, extended twice.
A five-week build for Berlin was mothballed nine days before opening. The crew kept the rig in storage and came back stronger.
The Berlin run finally opened in a former cold-storage warehouse in Kreuzberg, twenty months later than planned, and worth the wait.
A two-city run through a former shipyard hall on the IJ, then a five-month residency in a disused Lisbon power station.
First North American stop, in a converted freight terminal in Red Hook. The Hum needed a new subfloor built from scratch.
A dual run — Mexico City in a former textile mill, Copenhagen in a temporary structure on the harbourfront.
Southern hemisphere premiere: a nine-month run through a full Australian summer and winter.
Housed inside The Cistern, a decommissioned 1913 covered reservoir beneath Peckham. Open now through spring 2027.
Readers' choice, arts & culture category.
For Resonance's live audio-to-light mapping system.
Recognised for Fieldkit, the studio's in-house generative lighting engine.
For the London run at the Bermondsey pumping station.
For the ambisonic score underpinning Chromatic Drift.
Named the city's top ticketed attraction for 2025.
“The rare immersive show that trusts silence as much as spectacle.”
The Globe and Mail
“Resonance turns eavesdropping into an art form — the room genuinely listens.”
Time Out London
“The Hum is not for the faint of heart, and Pulse is honest enough to say so at the door.”
Time Out
“Four rooms, four moods, zero wasted minutes.”
The Guardian
Currently playing in Peckham through spring 2027, inside a decommissioned 1913 reservoir.
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