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The Cistern, 118 Copeland Road
London SE15 · 020 7946 0138
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The studio

Halo Field is a light-and-sound studio founded in Manchester in 2016. Pulse, their flagship touring installation, premiered in 2019 and has since played nine cities on three continents.

ManchesterBerlinAmsterdamLisbonNew YorkMexico CityCopenhagenMelbourneLondon — Now Playing
Inside the Halo Field workshop
Since 2016

Started because a beautiful cue deserved a room that could hold it.

Wren Castellano spent six years as a lighting associate on arena tours, watching thoughtful design get compressed into a four-minute cue between headline acts. Idris Okafor was scoring documentary features and wondering why nobody built a room around a piece of music instead of the other way around. Pulse is the answer they built together: a show with no headliner, where the room itself is the reason to come.

Ten years later, Halo Field is nineteen people — lighting programmers, audio engineers, a mechanical engineer who keeps the kinetic rig alive on tour, and a production manager who has personally walked every venue Pulse has ever played.

0People on staff
0Cities toured
0Guests since 2019
0Awards & honours
The people

Who actually
builds the rooms.

Wren Castellano

Co-Founder · Creative Director, Light

Started in theatre rigging, spent six years as a lighting associate on arena tours before deciding the crew deserved to design the show, not just hang it.

Idris Okafor

Co-Founder · Creative Director, Sound

Composer and audio engineer. Scored two documentary features before Pulse; still writes every generative stem himself, note by note, before it goes generative.

Priya Raman

Technical Director

Mechanical engineer who left a robotics lab to build kinetic rigs that survive being trucked between nine cities without ever missing a load-in.

Elena Cho

Production & Touring Manager

The person who has personally walked every venue Pulse has ever played, usually with a tape measure and a fire marshal in tow.

On tour

Nine cities, seven years.

'19

Manchester — Premiere

Mayfield Depot. An eleven-week run sold out in a disused Victorian railway depot, extended twice.

Premiere run11 weeksSold out
'20

Paused

A five-week build for Berlin was mothballed nine days before opening. The crew kept the rig in storage and came back stronger.

Rig in storageCrew retained
'21

Berlin

The Berlin run finally opened in a former cold-storage warehouse in Kreuzberg, twenty months later than planned, and worth the wait.

Cold-storage venue14 weeks
'22

Amsterdam, Lisbon

A two-city run through a former shipyard hall on the IJ, then a five-month residency in a disused Lisbon power station.

2 cities5-month residency
'23

New York

First North American stop, in a converted freight terminal in Red Hook. The Hum needed a new subfloor built from scratch.

New subfloor buildLighting Design Award
'24

Mexico City, Copenhagen

A dual run — Mexico City in a former textile mill, Copenhagen in a temporary structure on the harbourfront.

Dual-city run2 new venues
'25

Melbourne

Southern hemisphere premiere: a nine-month run through a full Australian summer and winter.

9-month runCritics' Pick
'26

London — Current

Housed inside The Cistern, a decommissioned 1913 covered reservoir beneath Peckham. Open now through spring 2027.

Current stopThrough spring 2027
Recognition

Awards & honours.

Time Out London — Best Immersive Experience2026

Readers' choice, arts & culture category.

Design Week Award — Winner, Interactive Design2025

For Resonance's live audio-to-light mapping system.

SXSW Interactive Innovation Award — Finalist2022

Recognised for Fieldkit, the studio's in-house generative lighting engine.

UK Lighting Design Awards — Highly Commended, Experiential2023

For the London run at the Bermondsey pumping station.

Prix Ars Electronica — Honorary Mention, Digital Musics2020

For the ambisonic score underpinning Chromatic Drift.

Time Out Melbourne — Critics' Pick of the Year2025

Named the city's top ticketed attraction for 2025.


In their words

Collaborators & critics.

“The rare immersive show that trusts silence as much as spectacle.”

The Globe and Mail

“Resonance turns eavesdropping into an art form — the room genuinely listens.”

Time Out London

“The Hum is not for the faint of heart, and Pulse is honest enough to say so at the door.”

Time Out

“Four rooms, four moods, zero wasted minutes.”

The Guardian

Come see what
we built.

Currently playing in Peckham through spring 2027, inside a decommissioned 1913 reservoir.

Get tickets