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Journal
Notes on material, makers and the case for owning less. Written in-house, occasionally with the people who make the objects.
The Case for Fewer, Better Things
Why we would rather sell you one bowl you keep for twenty years than four you replace in two.
A Note on Clay: Inside the Oaxaca Workshop
What a week spent at Casa Ordóñez taught us about reactive glaze, and why no two plates should ever match.
How to Set a Table That Actually Gets Used
Six rules we stole from restaurants, and the one piece of advice we ignore completely.
The Lamp Problem: Why Good Light Is So Hard to Buy
Two years, four prototypes and one very patient stone cutter in Volterra.
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