

A pour that could not stop
Threshold I asked for something concrete rarely gets: total honesty about its own making. The eleven-minute pour that produced it happened without a single break, six hundred and forty litres moved from mixer to formwork before the first litre could begin to set. Stop for even ninety seconds and a cold joint appears — a faint seam where old and new concrete refuse to fully bond, visible forever as a hairline the length of the piece. There is no repairing a cold joint after the fact. There is only not making one.

Formwork as the real material
The form itself, built from planed spruce boards set edge to edge, is what actually shapes the surface you see: every grain line, every small void where a knot once was, is printed into the concrete in reverse. We built the formwork the way a printmaker prepares a plate, understanding from the outset that the wood would be sacrificed and the impression would be the point. It is stripped once, and never reused.
Dimensions & specification.
Fig. 01 — elevation dimensions, Threshold I. Not to architectural scale.
| Title | Threshold I |
| Year | 2024 |
| Material | Cast concrete |
| Dimensions (H × W × D) | 2,100 × 900 × 420 mm |
| Weight | 638 kg |
| Edition | Unique |
| Catalogue no. | MN-024-01 |
| Status | Available — price on application |
On weight and gravity
At 638 kilograms, Threshold I is heavier than it reads. Its proportions borrow from the domestic scale of an actual doorway threshold — something the body already knows how to stand beside — while its mass argues the opposite. That contradiction between a familiar shape and an unfamiliar weight is, for us, most of what the piece is about.
It is not a doorway. It only remembers being sized like one.— Studio notebook, February 2024
In the room.
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Threshold I.
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